profile
Statement
I am based in Bizen, Okayama, Japan, a pottery production area that has existed for 1,000 years and is characterised by firing in wood-fired kilns, unglazed and tempered.
I utilise techniques that have remained unchanged since ancient times to create what I consider to be modern ceramics. In unglazed ceramics, the expression of the clay is important. Bizen clay is very attractive. I want to show the expression of the original clay.
My objective is to convey the essence of the clay in a manner that evokes the long history of the earth. The form should effectively showcase the clay's expression. I strive to identify the optimal form during my daily work.
Biography
Hiroshi Toyofuku is one of the artists of Bizen Pottery.
Bizen Pottery is produced in the Bizen area of Okayama Prefecture, Japan. The 1000-year history of this pottery is characterized by unglazed, wood-fired kilns, and kiln firing that lasts more than a week. All Bizen Pottery makers insist on decorating their pieces according to the clay's expression, the changes in the flame during firing, and the ashes. Hiroshi Toyofuku's pottery is characterized by the expression of the clay. The marbled, stratified surface of the clay, which shows the expression of the clay as it was dug out, is a powerful and complex expression of nature, and is attractive enough in itself. The shape is designed to show it effectively. At first glance, it appears to be a complex series of overlapping surfaces, but it is a very simple form that is assembled with regularity. It is made by piling up string-like clay. It is one of the most primitive methods. By firing in a wood-fired kiln, the world of Bizen Pottery is being expanded.
He is not originally from Bizen. While watching Japanese folk performing arts in college, he became interested in the unique culture of the area. The movements, costumes and tools of the performing arts are also the starting point for his creative
work. He came to Bizen because he was very interested in the wood-fired kilns that have been used since prehistoric times.
In 2001, he won the Encouragement Prize at the Tabe Art Museum Grand Prize "Chanoyu no Zokei Exhibition" before becoming independent, and in 2007, he established his own kiln and has been exhibiting his works annually in Japan.
Around 2012, he began to focus on coil building making rather than wheel throwing as his main production method. This has allowed him to explore the relationship between clay and form more deeply.
At first glance, the shape of the piece may catch the eye, but what is important to him is determining the properties of the clay.
He is always searching for the best firing method and form for the clay.
CV
Born in 1973 in Tokyo, Japan. Lives and works in Wake-cho, Okayama, Japan.
EDUCATION
1996 BA, Department of Humanities, College of Liberal Arts, International Christian University, Tokyo, Japan
SOLO EXHIBITIONS
2024 Clay rises up, Art Gallery Takashimaya, Tokyo
2022 Form that rises from the cray, Art Gallery Takashimaya, Yokohama
2019 Kneaded surface that represents nature, Art Gallery Tenmaya, Okayama
2016 Solo Exhibition, Art Gallery Takashimaya, Yokohama
2014 Solo Exhibition, Art Gallery Tenmaya, Okayama
2010 Solo Exhibition, Art Gallery Tobu, Tokyo (Held annually thereafter)
GROUP EXHIBITIONS
2024 Musuhi, Maud & Mabel, London
Bends & Folds - A Group Exhibition -, Studio Tashtego, New York
2023 Art Paris, Grand Palais Éphémère, Paris
2022 Art Antwerp, Antwerp Expo, Antwerp
Ceramic Flowers in Spring, Art Gallery Takashimaya, Osaka
The Ceramic Art Sciety of Japan Exhibition, Shosha Art & CraftMuseum, Himeji
2021 Six people exhibition of BIZEN - the moment of takeoff -, Kakiden Gallery, Tokyo
2020 Next The Bizen: Artists Creating the Future of the Bizen, Art Gallery Okayama Tenmaya, Okayama
2019 The long-awaited Bizen Exhibition, Ippodo Gallery, Tokyo
Five Kilns for Spring, Art Gallery Takashimaya, Tokyo
2016 Two-person exhibition, Art for thought, Tokyo
2010 Bitoukai, Art Gallery Tobu, Tokyo
PRIZES
2022 Excellence Award, Tobiten Ceramics Exhibition, The Ceramic Art Sciety of Japan
Mayor of Okayama Award, Chugoku Japan Traditional Art Crafts Exhibition
Okayama Prefecture Superintendent of Education Award, Okayama prefectural Art Exhibition
2021 Honorable Mention, International Ceramics Festival Mino
2019 Incentive Award, Tobiten Ceramics Exhibition, The Ceramic Art Sciety of Japan
2017 Selection, Japan Traditional Art Crafts Exhibition
2016 The Sanyo Newspaper Company prize, Chugoku Exhibition of the Japan Traditional Art Crafts
Selection, Modern Tea Ceremony Ceramics Exhibition
Selection, The Hagi Taishou of Contemporary Ceramic
Selection, Mino Chawan Exhibition
2015 Selection, Kikuchi Biennare in Musee Tomo
Selection, Cyozasyo Tokoname Biennare
2009 Excellence Award, Tanabe Museum of Art "Tea Ceremony Formative Arts Exhibition"
2002 Okayama prefectural governor prize, Okayama prefectural Art Exhibition
2001 Incentive Award, Tanabe Museum of Art "Tea Ceremony Formative Arts Exhibition"
2000 Selection, Chugoku Exhibition of the Japan Traditional Art Crafts
陶歴
1973年 東京都に生まれる
その後埼玉県へ
1996年 国際基督教大学卒業
1998年 岡山県立備前陶芸センター修了
備前焼作家 川端文男に師事
2000年 第四三回日本工芸会中国支部展 入選 以降9回入選
2001年 第十八回田部美術館大賞「茶の湯の造形展」奨励賞受賞
2002年 第五三回岡山県美術展覧会岡山県知事賞受賞
2003年 第五四回岡山県美術展覧会 入選 以降9回入選
2006年 岡山県和気郡和気町吉田にて独立
2007年 初窯
横浜髙島屋にて個展
2008年 第二五回田部美術館大賞「茶の湯の造形展」 入選 以降9回入選
2009年 第二六回田部美術館大賞「茶の湯の造形展」優秀賞受賞
大宮そごうにて個展
池袋東武にて個展 以降毎年開催
2012年 広島天満屋にて3人展
2014年 岡山天満屋にて個展
2015年 第三回 陶美展 入選 以降3回入選
第三二回 長三賞常滑陶芸展 入選
第六回 菊池ビエンナーレ 入選
2016年 横浜高島屋美術画廊にて個展 以降2回開催
玉川高島屋にて二人展
第九回 現代茶陶展 入選 以降2回入選
第二二回 美濃茶盌展 入選 以降1回入選
第五八回 日本工芸会中国支部展山陽新聞社賞 受賞
現在形の陶芸 萩大賞展Ⅳ 入選
2017年 第六四回 日本伝統工芸展 入選
2019年 第六回陶美展 奨励賞受賞
第七〇回岡山県美術展覧会 岡山市長賞受賞
2021年 第12回 国際陶磁器展美濃 入選
第六八回 日本伝統工芸展 入選
2022年 第九回 陶美展 高島屋賞(優秀賞)受賞
第65回日本伝統工芸中国展 岡山市長賞 受賞
第73回岡山県美術展覧会 岡山県教育長賞 受賞
第六九回 日本伝統工芸展 入選
Art Antwerp, Antwerp Expo, Antwerp
2023年 Art Paris, Grand Palais Éphémère, Paris
2024年 日本橋高島屋にて個展
Bends & Folds - A Group Exhibition -, Studio Tashtego, New York
Musuhi, Maud & Mabel, London
2024年 第七一回日本伝統工芸展入選